Unsquare Dance makes good use of syncopation. The swung beat is not there all the time; it only starts at bar 13 with the piano, and then continues throughout the rest of the piece. Triplets can be found in both the piano and the drum lines; the first triplet is at bar 13, there are others in the piece, for example bar 15 has a triplet.
Free jazz has no set structure to it, although Unsquare Dance does have a blues structure, this can be found in the bass line. An example of syncopation is at bar 13 in the piano line, with the accent off the beat, also the hand clapping rhythm is syncopated because it has rests on the strong beats.
At bar 31 the phrase from bar 13 is repeated. These accents can be found between bars 13 and 42, excluding a couple of bars in between.
The piano too repeats phrases. These triplets create movement. Syncopation is fundamental in and jazz piece. Acciaccaturas, also known as grace notes, are a common feature of this piece and can be found in the piano line, on numerous occasions, for example bars 13 and 17 have grace notes.
Unsquare Dance has a slight swing to it. When looking for displaced accents it is not very hard to find them in this piece as they are in 22 of the 42 bars.
The piano drops out at bar 18, the drums take up the swing beat and as the piano re-enters at bar 31 the drums drop out. Repetition of phrases creates motivic repetition, in each instrument, with the exception of the drums. An example of this is the hand claps that continue throughout the entire song, as well as the bass line, which only alters for 12 bars starting at bar A square dance is a very rigid and structured dance with one beat per step, whereas Unsquare Dance is very free, sounding spontaneous.
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